Conteúdo do livro:
- Improvise with the Whole-Tone Scale
- Examples
- The Water Fall
- Augmented chords with whole-tone scales
- Chords and Roman numerals
- Every chord in every key
- Dominant 7 - Tonic in Every Key
- The scale used as a Fill
- Every major and minor scale
- Examples of two-beat fills
- Other Two-Beat Fills
- Chimes
- Harmonic Intervals
- Examples of Chimes
- The A B C's of Improvising
- A. Notes remain the same
- B. Notes Step
- C. Notes Skip
- Right-Hand Whole Measure Fills
- Examples of whole measure fills
- Four-beat fills in every key
- Three-beat fills in every key
- Left-Hand Patterns in 3/4 Time
- Examples
- Amazing Grace
- Brahms Lullaby
- Patterns in 3/4 Time in Twelve Keys
- Left-Hand Patterns in 4/4 Time
- Examples
- Patterns in faster 4/4 Time in Twelve Keys
- Special Effects
- Broken Chords
- Chromatic Patterns
- Diminished Scales
- Secondary Sub-Dominant Chords
- Dominant and Sub-Dominant Arpeggios
- Major-Seven Chords Voiced
- Turnarounds
- Substitution Chords
- Dominant to Tonic using the Blues Scale
- Review
- Chord Progressions
- Right-Hand Add 9 Fill
- Chord Progressions in Twelve Major Keys
- Right-Hand Patterns in Twelve Keys
- Twelve-Bar Blues Patterns
- More Right-Hand Patterns in Twelve Keys
- Faster Right-Hand Riffs
- The Twelve-Bar Blues Progression (example)
- Twenty-four faster fills for the right-hand
- Minor Chord Patterns and Progressions
- Chord Progression
- Improvisation
- Twenty-four minor Right-Hand Patterns in Twelve Keys
- Improv with the Left-Hand (Fills for Roman Numeral Bass Progression)
- Four Chord Progressions
- Pachelbel's Canon as a progression
- O Come All Ye Faithful
- Left-hand Patterns for basic chord progressions in 4/4 time
- Left-hand Patterns for basic chord progressions in 3/4 time
- Fills for Both Hands together
- Pseudo--modulations
- Pseudo-modulations in twelve keys
- Happy Endings
- Twelve different endings in twelve keys
- The "Two-Five-One" Progression
- The cycle of chords
- Review of patterns
- Final assignment
Requisitos Mínimos
